RAEBURN, Sir Henry
Scottish Romantic Painter, 1756-1823 Scottish painter. He is perhaps the best known of all Scottish painters, with a critical reputation rivalling that of Allan Ramsay. He was almost exclusively a portrait painter, and his work did much to define Scottish society in a period of immense vigour and intellectual distinction. The demand for his work was sufficient to sustain a career wholly in Scotland, although he occasionally regretted his lack of first-hand knowledge of portrait painting in London. His working life, which was largely confined to Edinburgh
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RAEBURN, Sir Henry Young Girl Holding Flowers oil painting


Young Girl Holding Flowers
1798-1800 Oil on canvas, 92 x 71 cm
Painting ID::  43931 		RAEBURN, Sir Henry
Young Girl Holding Flowers
1798-1800 Oil on canvas, 92 x 71 cm
   
   
     
RAEBURN, Sir Henry Ann Fraser Mrs. Alexander Fraser Tytler oil painting


Ann Fraser Mrs. Alexander Fraser Tytler
Date between 1802(1802) and 1806(1806) Medium Oil on canvas Dimensions 76.8 X 63.5 cm (30.24 X 25 in) cyf
Painting ID::  73120 		RAEBURN, Sir Henry
Ann Fraser Mrs. Alexander Fraser Tytler
Date between 1802(1802) and 1806(1806) Medium Oil on canvas Dimensions 76.8 X 63.5 cm (30.24 X 25 in) cyf
   
   
     
RAEBURN, Sir Henry Boy and Rabbit oil painting


Boy and Rabbit
1814(1814) Medium Oil on canvas Dimensions 101.6 x 78.8 cm cyf
Painting ID::  76770 		RAEBURN, Sir Henry
Boy and Rabbit
1814(1814) Medium Oil on canvas Dimensions 101.6 x 78.8 cm cyf
   
   
     
RAEBURN, Sir Henry Allen Brothers oil painting


Allen Brothers
early 1790s Medium Oil on canvas cyf
Painting ID::  79316 		RAEBURN, Sir Henry
Allen Brothers
early 1790s Medium Oil on canvas cyf
   
   
     
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     RAEBURN, Sir Henry
     Scottish Romantic Painter, 1756-1823 Scottish painter. He is perhaps the best known of all Scottish painters, with a critical reputation rivalling that of Allan Ramsay. He was almost exclusively a portrait painter, and his work did much to define Scottish society in a period of immense vigour and intellectual distinction. The demand for his work was sufficient to sustain a career wholly in Scotland, although he occasionally regretted his lack of first-hand knowledge of portrait painting in London. His working life, which was largely confined to Edinburgh

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